Killing Commendatore by Haruki Murakami

Killing Commendatore

The epic new novel from the internationally acclaimed and best-selling author of 1Q84In Killing Commendatore, a thirty-something portrait painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist, Tomohiko Amada. When he discovers a previously unseen painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a myster...


Details Killing Commendatore

TitleKilling Commendatore
ISBN9780525520047
Author
Release DateOct 9th, 2018
PublisherKnopf Publishing Group
LanguageEnglish
GenreFiction, Cultural, Japan, Magical Realism, Asian Literature, Japanese Literature
Rating

Reviews Killing Commendatore

  • Sean Barrs the Bookdragon
    1970-01-01
    I am so unbelievably disappointed with this book. What should I talk about first, the bland characters, the flat plot or the convoluted prose? Either way it stank of mediocrity. This doesn’t feel like a Murakami novel. It doesn’t sound like a Murakami novel and it doesn’t act like one. I went back and read certain passages from After Dark and breathed in (once again) the beautifully rhythmic nature of the prose. It just flows from one sente...
  • Jeffrey Keeten
    1970-01-01
    ”Our lives really do seem strange and mysterious when you look back on them. Filled with unbelievably bizarre coincidences and unpredictable, zigzagging developments. While they are unfolding, it’s hard to see anything weird about them, no matter how closely you pay attention to your surroundings. In the midst of the everyday, these things may strike you as simply ordinary things, a matter of course. They might not be logical, but time has to...
  • Shirley Revill
    1970-01-01
    Thoughts while reading.Your wife she leftI did tooI came back to finish youPaintings on wallsMen two foot highMy brains been pulpedI give a cryI've not been drinkingThat wouldn't doBut I might before I finish you.Shirley.Review to follow when I finish the story.Update.If I never achieve anything else in my life I achieved finishing this book. In fact I got to the end of the audiobook some days ago and have since been wondering what to say. I have...
  • Spencer Orey
    1970-01-01
    I feel pretty conflicted about this one. On the one hand, I enjoyed reading it until the final 100 pages or so turned into a slog. On the other, it's repetitive and minimalistic in a way that felt generationally out of touch. The unnamed main character is in one of these classic Murakami in-between periods in his life, where everything has fallen apart but he's somehow fairly financially comfortable and has time to re-evaluate things. He gets inv...
  • Adam Dalva
    1970-01-01
    More on this when it comes out! I found it to be a return to form, mingling the realism of Norwegian Wood with the surrealistic approach of Wind-Up Bird. Fast read for such a long book, and the writing about painting is fascinating. The biggest flaw is in the depiction of a 13-year-old girl, whose constant fixation on her chest is a distracting running joke that doesn't do anything for the plot.
  • Seemita
    1970-01-01
    If I close my eyes tight, what shall I see? If I shut out all the noises I can sense, what shall I hear? If I shun the world completely, what shall I feel? A dark nothingness? Or a blinding muddle of overlapping images? Heartbeats of silence, may be? Or forewarnings of myriad nature? Forgotten memories, perhaps? Or Unforeseen happenstances?The options are many but the answers, scarce. And a protagonist embroiled in a similar dilemma propels this ...
  • Meike
    1970-01-01
    In Germany, Murakami's latest tome was published in two parts, the first one entitled: "Killing Commendatore 1: An Idea Appears" - and you know why? Because one of the characters in this book is an idea. Yes. An idea. Welcome to the world of Murakami. Our main protagonist is a 36-year-old painter. He (who remains unnamed) has just been left by his wife and retreats into a solitary house in the Japanese mountains to rethink his life. While trying ...
  • Kate
    1970-01-01
    4.75/5stars*DISCLAIMER: I was sent a free finished copy of this book by the wonderful people at knopf publishing but they did not ask for a review in any format, I'm just obsessed with Murakami and this was my most anticipating book of the last like 3 years sooooooHERE IS MY VIDEO REVIEW: https://www.youtube.com/watch?v=CnXa0...- Probably one of Murakami's best CRAFTED books - the writing was absolutely wonderful and there were so many lines I wa...
  • J.L. Sutton
    1970-01-01
    Finished Haruki Murakami's Killing Commendatore a few weeks ago and I'm still not sure what to think about it. On the one hand, I like the writing as well as the cultural references which Murakami weaves into the story (especially the complex set of meanings contained in the painting found by the novel's protagonist). One of the things I appreciate about Murakami's novels is how he creates a weird, nearly surreal alternate world which exists alon...
  • Andrew Smith
    1970-01-01
    The unnamed narrator of this story is a portrait painter. He's good at what he does, always capable of capturing something of essence of the person he is painting and technically capable of producing near photographic results, should he so desire. He is reflecting back on a period in his life which followed the surprising news, to him, that his wife had taken a lover and that their marriage was now over. In typical Murakami style this news was re...
  • Paul Fulcher
    1970-01-01
    “Cannot you just let the painting speak for itself?” the Commendatore said softly. “if the painting wants to say something, then best to let it speak. Let metaphors by metaphors, a code a code, a sieve a sieve.” Killing Commendatore has beem translated by Philip Gabriel and Ted Goossen from perennial Nobel favourite (and self-withdrawn shortlistee from the Alternative Nobel) Murakami Haruki's Japanese original, and marks a return to the f...
  • Trudie
    1970-01-01
    * 1.5 * One couldn't escape death, but it should come later - she wanted to know what it felt like to have full breasts and a woman's nipples at least once before she died. It would really suck if hornets killed her before she had that chance. Indeed. It is probably worthwhile to say at the outset that I am not a Murakami superfan. I have read three of his books now and I nearly always leave with a vague sense of disappointment and unease. Killin...
  • Tony
    1970-01-01
    Read the original 2 volume version in Japanese. As a Murakami fan (and admittedly budding skeptic) I found much of the uninspiring same in this 1,050 page story of a frustrated painter who is (ironically) trying to get inspired. Our intrepid narrator (as always, unnamed) is a disillusioned portrait artist for-hire who finds himself living in the mountain home of his old art college friend's father, the famous painter Tomohiko Amada, who is now in...
  • Gorkem
    1970-01-01
    Hi MurakamiTo be honest, my first running into with Murakami was after my army duty. He had magically inspired me through his masterpiece Kafka On The Shore. Even the finale quote of book is written on my cello case in order to remember the feeling of the book. After this book, I slowly started to collect his all books written in both English and Turkish. With Dance Dance Dance, I can really never describe my feelings how much i satisfied with ab...
  • Ian
    1970-01-01
    First MisapprehensionsMy first impression of this novel turned out to be a misapprehension.For the first ten pages, there were no references to characters' or place names. When the view of the Pacific Ocean was eventually mentioned, it could only be obtained by facing south-west. I had started to assume that the novel was set in northern or southern California, even though Murakami is obviously Japanese.The nameless narrator had separated from hi...
  • Sam Quixote
    1970-01-01
    As you might expect for a 700+ page novel, a fair amount of stuff happens in Killing Commendatore but the story is actually quite easy to summarise: there isn’t one! Which is a large part of what makes it such a frustrating read. A portrait painter’s marriage dissolves leading to him wandering Japan aimlessly until he happens across the home of a famous artist who’s dying in hospital. The artist’s son invites him to stay and he discovers ...
  • Edward Lorn
    1970-01-01
    I hesitate to recommend this astounding novel because if a reader misses the hints early on they're going to have a bad time. The metaphor is thick with this one, and even mentioning what means what in this book would be the most heinous of grievances. Because that's what makes a Murakami novel such a wonderful experience. Puzzling out the meanings. Doing so, for me, is a refreshing change of pace. I don't like an author to hold my hand, which fa...
  • Daniel Simmons
    1970-01-01
    If I were feeling charitable, which I'm not, I would say this is "vintage Murakami" or a "return to masterful form" or something like that after the under-edited "1Q84" and faintly ridiculous "Colorless Tsukuru Tazaki...", since like many of his earlier (mostly better) novels, this one features creepy holes in the ground and WW2 atrocities and jazz references and ennui-laden pasta sauce-making. But it just feels like recycling the same stuff to n...
  • SAM
    1970-01-01
    Killing Commendatore has an intriguing plot and after only three of his books I can quite confidently say that it’s typical Murakami. After a sudden split from his wife, the Narrator quits his job as a portrait artist, abandons built up civilisation and holes up in his friends isolated mountain home, which once housed Japans most famous artist. Whilst exploring the attic he uncovers a forgotten painting entitled Killing Commendatore. What follo...
  • Faroukh Naseem
    1970-01-01
    This is probably my 8th or 9th Murakami and I’ve finally come to realize Murakami doesn’t write to please anyone, sometimes it feels like he doesn’t even write to please himself. He writes because he needs to; he needs to free his mind of these thoughts that’ve made a home in his mind. And I have nothing to complain about that, we’re lucky he’s decided to!This is the first time I took notes and wrote bullet points to refer to when wri...
  • Lee
    1970-01-01
    3.5 (picked up a bit after a 'Murakami-by-numbers' middle section) rounded down. I'll write a longer review at some point but, for now, two things feel worth mentioning. One: some of this is so Lynch-inspired that on one occasion he even lifts an actual line of dialogue from Lost Highway ("It is not my custom to go where I'm not invited."). Two: here's my favourite worst bit of Murakami ever: “My breasts are really small, don’t you think?” ...
  • Pavle
    1970-01-01
    Ravnodušni protagonista, klasična muzika, džez, umetnost, brak pri raspadu, seks, usamljenost, čudni mali ljudi, drugi svetovi, fatalizam, hrana... Većina nas je upoznata sa Murakamijevim Romanom. Ono što je ovde drugačije, medjutim, jeste koliko je često transparentan sa upotrebom metafora, simbola i ideja, što i nije toliko čudno, s obzirom da je roman upravo o Idejama i Metaforama. Po tome, tom nedostatku uvijenosti koja krasi neke d...
  • Sumaiyya
    1970-01-01
    If there was ever any doubt to the fact of Haruki Murakami's skill at nuanced storytelling, KILLING COMMENDATORE eliminates them all with its artistic telling.*Publishing on 9th October 2018, Harvill Secker, Penguin UK*The latest novel from the Japanese author is a gripping tale of art and obsession. With nearly 700 pages to its name, KILLING COMMENDATORE surprises with prose that flows nearly as smoothly as the many layers of interconnected mean...
  • Em*bedded-in-books*
    1970-01-01
    Was a bizarre and awesome read , though the ending left some unanswered questions ( to me, at least).Unable to coherently review this for the time being .How I came upon this book?Noticed this one at a Flipkart sale with a lucrative 45% discount, and grabbed at the opportunity without even blinking an eye. (Though alas, if patience was a virtue with me, I would have gotten it for nearly 55% discount from Amazon, barely a week later.)The hardback ...
  • Gumble's Yard
    1970-01-01
    Generally I love Murakami - and I think I have read (and kept) every one of his novels published in English - but this one I think caught me at the wrong time after I had been reading and enjoying some challenging literature. I felt like all the time I was reading, there was a young voice in my head pointing out the lack of literary clothing, that I normally choose to ignore when enjoying this Emperor of writing. (Of course the irony of a little ...
  • Laura Noggle
    1970-01-01
    A Murakami twist on The Great Gatsby, The Indian in the Cupboard, and Duma Key. Another bewitching mis en scene by Murakami. This was my 7th Murakami book, and although not quite as good as 1Q84 and The Wind-Up Bird Chronicle (my two favorites), it was still charmingly atmospheric and engrossing. Murakami's world envelops you up as the story unfolds. I actually didn't realize there was an intended link to The Great Gatsby until after I'd finished...
  • Neil
    1970-01-01
    I have read several times that Murakami does not plan out his stories in advance. In The Guardian, Xan Brooks writes that Murakami gets into a rhythm of writing in the morning and running in the afternoon. Eventually, he says, the writing and the running become indivisible, a “form of mesmerism” that serves to cast the author as a semiconscious agent in the forward movement of the narrative, or an observant traveller through pre-existing terr...
  • Sarah
    1970-01-01
    2.5 (tentatively rounded up)Phew. I feel like I deserve some kind of medal for finishing this bloated tome in just over a week... This was one of my most anticipated reads of the year - I'm a long time Murakami fan, but in recent years I've felt increasingly frustrated with aspects of his latest novels. While I loved 1Q84, I found Men Without Women just boring, and Colourless Tsukuru... almost instantly forgettable. Unfortunately I think Killing ...
  • T.D. Whittle
    1970-01-01
    I just finished this last night and am struggling to consider it in its own right, as from the beginning onward it reminded me in so many ways of The Wind-Up Bird Chronicle, which is my favourite of all of Murakami's novels, though this one is inferior in every way to its predecessor.I feel a bit disappointed, overall, as Murakami is my favourite living writer and I always wait with bated breath, like one of his cats at a mousehole, for a new rel...