Concerning the Spiritual in Art by Wassily Kandinsky

Concerning the Spiritual in Art

A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tre...

Details Concerning the Spiritual in Art

TitleConcerning the Spiritual in Art
Release DateJun 1st, 1977
PublisherDover Publications
GenreArt, Nonfiction, Philosophy, Art History, Religion, Spirituality, Classics, Art Design, Writing, Essays, Criticism

Reviews Concerning the Spiritual in Art

  • Ahmad Sharabiani
    Über das Geistige in der Kunst = Concerning the spiritual in art, Wassily Kandinsky تاریخ نخستین خوانش: بیست و دوم ماه دسامبر سال 1997 میلادیعنوان: معنویت در هنر؛ نویسنده: واسیلی کاندینسکی؛ مترجم: اعظم نورالله خانی؛ تهران، رها، سنگ، 1375؛ در 155 ص؛ چاپ دیگر: تهران، اسرار دانش، 1379، شابک: ایکس ...
  • Ridgely
    What saves this book is superlative phrase-turning and humor, intended or otherwise. If you've ever been tempted to bronze your subjective aesthetic and mount it in the museum between philosophy and science, this will be there to remind you how nearly impossible it is to pull off. Kandinsky couldn't do it and neither can you. I mean he sets forth to launch a theory of color analogized to harmonics, but what really comes through is an abiding disd...
  • Luís C.
    A wonderful essay both plain and in his writing of a philosophical and very strong reflexive reach. What are works of art, if not a genuine internal cry artists? In that sense they also speak to the audience, in many ways; color or form in painting, for example. It is interesting to compare these about Kandinsky in his works; personally I found that it brought to light a significant his paintings. Here he tries to restore its credentials to paint...
  • Roy Lotz
    Theory is the lamp which sheds light on the petrified ideas of yesterday and of the more distant past. The first time I saw a painting by Kandinsky was in the Guggenheim Museum. Back then, I really didn’t have much appreciation for visual art, least of all abstract paintings. Nevertheless, I remember being intrigued, and finally fascinated by his work. The way he was able to select forms reminiscent of, but not dependent on, real-life objects d...
  • Matt
    I hit my artistic peak with my rendering of my uncle’s Conan the Barbarian upper arm tattoo (complete with blood splatter) when I was eight. Truly appreciating art always seemed like the province of finer souls. A secret protected on par with gypsy divination and Shamrock shakes. I guess I always thought art was beyond words. Kandinsky, in his brief book, proves otherwise. Incredibly lucid and articulate, Kandinsky leads the reader to move past...
  • Reza Gharibi
    کاندینسکی یک نقاش و نظریهپرداز هنری روس بود. از آنجا که او نخستین نقاشیهای مدرن اِنتزاعی را خلق کردهاست، یکی از معروفترین و اثرگذارترین هنرمندان سده بیستم بهشمار میآید. (ويكيپديا)كتاب دو بخشه، بخش اول راجع به خود هنر و هنرمند ها صحبت ميكنه، بخش دوم ...
  • Mel
    This was worth reading. Some of the language was a little flowery so I will probably read it again at some point. It makes some interesting points. I wish the art was in color and not black and white since he talks so much about the significance of color especially red. It was a fast read and interesting so it was worth my time to read this one.
  • Narjes Dorzade
    .از زیباترین کتاب ها در مورد هنر .تمام این صفحات سرشار از جذبه در هنری انسانی ست . .ممنونم آقای " واسیلی کاندینسکی " و البته مترجم درست ؛ اعظم نوراله خانی
  • Ellis
    Picked this short treatise up used for cheap. Kandinsky has a lot of very interesting ideas about the relation of art and music and poetry, with some discussion of social status/interpersonal relationships (just a dash). He is a modernist through and through. The introduction is enough to get you excited to read it and I just love his description about what art is and ought to be. Dense and could be a better translation, I think. Takes some conce...
  • Michelle
    I'm finally getting around to reading Wassily Kandinsky's Concerning the Spiritual in Art. In it, the artist explains his plans for the ascent of spiritually fulfilling and expressive art that surpasses mere replication of natural form. This is not to say that Kandinsky is in favor of pure abstraction. He faults cubism as too intellectual and spiritually lacking, as opposed to inspired abstractions.I most enjoyed his breakdown of color theory, se...
  • Maria
    возможно, тут стоит сказать book, it's not you, it's me - я очень отвыкла от таких текстов за годы и годы бизнес-литературы и поп-фикшена. наверное. в последний раз я сталкивалась с такой манерой изложения в литературоведении (а значит, в универе). видно, что те...
  • Beka Sukhitashvili
    ძალიან საინტერესო ნაშრომია, შთაბეჭდილებებით სავსე ვარ. "ღია ლურჯი ფლეიტას ჰგავს, მუქი ჩელოს, კიდევ უფრო მუქი კონტრაბასის არაჩვეულებრივ ჟღერას; უფრო ღრმა, საზეიმო ფორმაშ...
  • David
    A professional artist/teacher friend of mine gave me a copy of Kandinsky's book at a recent workshop she was leading. Consider the long period of the 20th Century during which Kandinsky practiced what he preached as a "Spiritual Revolution" in art. Spiritual Revolution was a popular theme throughout the century. A Baha'i pamphlet with that title was published in the 1970's. Being an activist artist in that revolution now is as important as ever.
  • İzel Özdemircan
    Resim sanatıyla ilgilenenler ve özellikle Kandinsky severler için bilgilendirici bir kitap. Yer yer sanat ve sanatçıyı da ele almış fakat asıl bahsedilen resim sanatı. Genel kültür için de okunabilir.
  • Michael Franklin
    kandinsky's respondeo ut the world of art, in his time, to the past, and for the future of art is widely considered one of the greatest documents on art by an artist. sure, i'll accept that. however, i believe this is more of an assault on the condition of the human spirit than a treatise on the state of art.kandinsky reiterates, many times, his disgust for the broad acceptance of and reverence towards "stagnate art". as an artist himself, he is ...
  • Þróndr
    While I’m not a fan of Kandinsky’s abstract paintings, I find his theoretical writings all the more interesting, and it is perhaps these that are his major contribution. In the first part of the book he writes about the historical movement of art as a pyramid, where the apex represent the forerunners – those who will be understood and accepted only at at a later time:“The life of the spirit may be fairly represented in diagram as a large ...
  • Heba TariQ
    ان يفيض النور فى الظلام الذى يغرق قلوب البشر , هذه هى مسئولية الفنان و واجبه #شومان
  • Bill
    In some ways I enjoyed the two rather lengthy introductions to the book (not by Kandinsky himself) -- which put his career and ideas in a historical perspective -- more than the book itself. I read the following review from an Amazon reader. I agree with most of it, and he brings out some of the more important points Kandinsky offers in his book. I especially like this insight from the reviewer: "His spirituality is not an incarnational one, wher...
  • Yana Milenkova
    Kandinsky is not only a painter, but also an accomplished and logical writer. He obviously was influenced by German idealistic philosophy, adhered to the position of antipositivism. It’s interesting to observe how problems of religion and occultism were at the center of his attention and reflected on his theory of art.
  • Lisa
    I read this as an e-book. I think I would have liked it better in physical form. Maybe I will reread it someday in a hard copy and see if it is the case.
  • Ben
    This is a fantastic book. Kandinsky's ideas on art and its ultimate goal are nothing short of inspirational. No matter what area of art you enjoy, whether it be music, painting or even writing; this book is completely relevant. He is an artist who is completely "in tune" with all aspects of creativity. His way of explaining, though quite poetic and grandoise at times, is very clear to read and understand. He's not just a great painter, but a capt...
  • P. Timothy
    I read this in anticipation of possibly leading a class on Spirituality and Art...and as a primer of sorts on the early thoughts about the connection between Spirituality and the Arts, especially connected with Modern art into abstraction. Some of his thoughts are brilliian and prescient; some really are parallel to Dewey, James and the like philosophers, along with Dr. Albert Barnes, and some of it comes off as purely bunkish guesses...but that ...
  • Ana
    I was not aware of the intrinsic relation between form and color. Plus, I found completely stimulating (just by reading) his description of contrasting colors, their antagonisms and synthesis. Apparently while yellow warmly moves, blue is coldly inert, the former expressing a bodily experience, the latter spiritual. An the "theory" goes on. I would never thought of green as stationary, yet he made me wonder...I won't get into his argument about t...
  • Flor
    Es una belleza la forma en que Kandinsky nos describe dos elementos básicos del arte como lo son el color y la forma. La facilidad que tiene para definir los colores y las emociones que producen en el espectador es algo de no creer. Un libro bastante fácil de leer, y cortito que deja las cosas claras. Hermoso desde donde se lo vea, y no hace falta tener mucho conocimiento del arte para disfrutarlo. Muy recomendable.
  • Cameron
    A powerful, lucid manifesto by Kandinsky, the famous Russian Expressionist, calling for the artist to proceed inward to cultivate the abstract expressions of the inner spirit and away from material representation. I was pleasantly surprised to discover that in addition to his obvious mastery as a painter, Kandinsky was also an accomplished and logical writer."The artist must have something to say, for mastery over form is not his goal but rather ...
  • C. Vau
    Memorable quote: «The artist is not born to a life of pleasure. He must live idle; he has an art to perform, and one which often proves a cross to be borne. He must realize that his every deed, feeling, and thought are raw but sure material from which his work is to arise, that he is free in art but not in life.»
  • Apryl Anderson
    Kandinsky's 'Movement of the Triangle' was precisely the visual I needed to understand this process of the collective conscience going forward, yet circling eternal revelations. Also, I agree with his discussion of the related arts, and I'm surprised that he didn't mention the 'Musica universalis'. As for the color theory, I need to spend some time with that...
  • Ricardo
    No es un mal libro, tiene puntos de vista bastante interesantes y relevantes incluso en nuestros tiempos. Le pongo 3 estrellas porque la edición no me pareció la mejor. Aunque principalmente la utilicé con fines informativos y no creo que la vaya a referenciar.